NCTE
NCTE is where literacy educators find their professional home.1 - 50 of 118 results
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Adolescent Literacy and the Teaching of Reading
Reading is interpreting; interpreting is reading, which is why it’s more crucial than ever to ensure that our students are able to make meaning as they read. But do we know how to integrate best practices in reading instruction into our classrooms? In Adolescent Literacy and the Teaching of Reading: Lessons for Teachers of Literature, Deborah Appleman dismantles the traditional divide between secondary teachers of literature and teachers of reading and offers a variety of practical ways to teach reading within the context of literature classrooms. As part of NCTE’s Principles in Practice imprint, the book draws on research-based understandings emerging from Adolescent Literacy: An NCTE Policy Research Brief, woven together with practical lessons that will enrich the reading experiences of all students. Using real-world examples from diverse secondary classrooms, Appleman helps literature teachers find answers to the questions they have about teaching reading: How can I help students negotiate the complex texts that they will encounter both in and out of the classroom? What are the best ways to engage whole classes in a variety of texts, both literary and nonliterary? What does it mean to be a struggling reader and how can I support these students? How can I inspire and motivate the male readers in my classes?
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Adventurous Thinking
Fostering Students' Rights to Read and Write in Secondary ELA Classrooms
Grounded in NCTE’s position statements “The Students’ Right to Read” and “NCTE Beliefs about the Students’ Right to Write,” this book focuses on high school English language arts classes, drawing from the work of seven teachers from across the country to illustrate how advocating for students’ rights to read and write can be revolutionary work.
Drawing from the work of high school teachers across the country, Adventurous Thinking illustrates how advocating for students’ rights to read and write can be revolutionary work. Ours is a conflicted time: the #BlackLivesMatter and #MeToo movements, for instance, run parallel with increasingly hostile attitudes toward immigrants and prescriptive K–12 curricula, including calls to censor texts. Teachers who fight to give their students the tools and opportunities to read about and write on topics of their choice and express ideas that may be controversial are, in editor Mollie V. Blackburn’s words, “revolutionary artists, and their teaching is revolutionary art.” The teacher chapters focus on high school English language arts classes that engaged with topics such as immigration, linguistic diversity, religious diversity, the #BlackLivesMatter movement, interrogating privilege, LGBTQ people, and people with physical disabilities and mental illness. Following these accounts is an interview with Angie Thomas, author of The Hate U Give, and an essay by Millie Davis, former director of NCTE’s Intellectual Freedom Center. The closing essay reflects on provocative curriculum and pedagogy, criticality, community, and connections, as they get taken up in the book and might get taken up in the classrooms of readers. The book is grounded in foundational principles from NCTE’s position statements The Students’ Right to Read and NCTE Beliefs about the Students’ Right to Write that underlie these contributors’ practices, principles that add up to one committed declaration: Literacy is every student’s right.
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After Pedagogy
The Experience of Teaching
What does it mean to teach after pedagogy? For a long time, composition’s pedagogical conversation has been defined by its theoretical disagreements.
Is learning a cognitive process or a social one? Is the self expressed or distributed? Can writing be understood as a process, or is any process too messy to be understood? These debates have finally run out of steam, argues Paul Lynch, leaving composition in a “postpedagogical” moment, a moment when the field no longer believes that pedagogical theories can account for the complexities of teaching. After Pedagogy extends the postpedagogical conversation by turning to the experience of teaching itself.
Though the work of John Dewey, After Pedagogy argues that experience offers an arena in which theory and practice can coexist. Most important, experience can fashion the teachable moments of postpedagogical practice into resources for further growth. “We cannot know what precisely the student will do with what we have offered, but we can think with the student about the experience of the offer itself.” By turning what students and teachers know about writing into an area of intellectual inquiry, a philosophy of experience can make teaching sustainable after pedagogy.
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Already Readers and Writers
Honoring Students' Rights to Read and Write in the Middle Grade Classroom
Already Readers and Writers: Honoring Students' Rights to Read and Write in the Middle Grade Classroom is meant to help all middle school educators encourage their students to build literate lives both within the classroom and well beyond it.
Veteran middle school teacher Jennifer Ochoa has brought together middle school teachers and teacher leaders, children’s author and We Need Diverse Books cofounder Ellen Oh, children’s literature scholar Kristin McIlhagga, reading and writing workshop teacher-author Linda Rief, and censorship expert Millie Davis to examine current middle school literacy practices that support students’ rights to read and write.
By showcasing their experiences and activities, and positioning NCTE policy statements—The Students' Right to Read and NCTE Beliefs about the Students’ Right to Write—as foundational guiding documents, Ochoa and her colleagues prove that even in today’s standards-driven environment, authentic reading and writing practices can create literacy-rich middle school classrooms.
As a bonus, teachers who don’t have strong support in their schools to implement these practices will find a myriad of suggestions for developing a virtual personal learning network—a grassroots professional development tailored to their needs and interests—that will support them in their efforts to help kids as readers and writers.
About Principles in Practice
Books in the Principles in Practice imprint offer teachers concrete illustrations of effective classroom practices based in NCTE research briefs and policy statements.Each book discusses the research on a specific topic, links the research to an NCTE brief or policy statement, and then demonstrates how those principles come alive in practice: by showcasing actual classroom practices that demonstrate the policies in action; by talking about research in practical, teacher-friendly language; and by offering teachers possibilities for rethinking their own practices in light of the ideas presented in the books.
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Beyond Progress in the Prison Classroom
Options and Opportunities
Through a mix of history, theory, and story, Anna Plemons explores the fate of the Arts in Corrections (AIC) program at New Folsom Prison in California in order to study prison education in general as well as the disciplinary goals of rhetoric and composition classrooms.
When viewed as a microcosm of the broader enterprise, the prison classroom highlights the way that composition and rhetoric as a discipline continues to make use of colonial ways of knowing and being that work against the decolonial intentions of the field. Plemons suggests that a truly decolonial turn in composition cannot be achieved as long as economic logics and rhetorics of individual transformation continue to be the default currency for ascribing value in prison writing programs specifically and in out-of-school writing communities more generally. Indigenous scholarship provides the theoretical basis for Plemons’s proposed intervention in the ways it both pushes back against individualized, economic assessments of value and describes design principles for research and pedagogy that are respectful, reciprocal, and relational.
Beyond Progress in the Prison Classroom includes narrative selections from the author and current and former AIC participants, inviting readers into the lives of incarcerated authors and demonstrating the effects of relationality on prison-scholars, ultimately upending the misconception that these writers and their teachers exist apart from the web of relations beyond the prison walls. With contributions from incarcerated prison-scholars Ken Blackburn, Bryson L. Cole, Harry B. Grant Jr., Adam Hinds, Hung-Linh "Ronnie" Hoang, Andrew Molino, Michael L. Owens, Wayne Vaka, and Martin Williams.
About the CCCC Studies in Writing & Rhetoric (SWR) Series
In this series, the methods of studies vary from the critical to historical to linguistic to ethnographic, and their authors draw on work in various fields that inform composition—including rhetoric, communication, education, discourse analysis, psychology, cultural studies, and literature. Their focuses are similarly diverse—ranging from individual writers and teachers, to classrooms and communities and curricula, to analyses of the social, political, and material contexts of writing and its teaching.
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Beyond Standardized Truth
Improving Teaching and Learning through Inquiry-Based Reading Assessment
Beyond Standardized Truth, included in the Principles in Practice imprint, is the result of the author’s own efforts to bridge the gap between valuing reading and being able to respond with appropriate instruction or evaluate growth in reading.
Scott Filkins brings us into his classroom and the classrooms of his colleagues to demonstrate how high school teachers across the disciplines can engage in inquiry-based reading assessment to support student learning. Based in the IRA–NCTE Standards for the Assessment of Reading and Writing, Revised Edition, the classroom portraits highlight the importance of incorporating genuinely formative assessment into our instruction.
Filkins unpacks his own history with assessment through engaging “confessions” of his early practices and eventual growth toward a framework that situates reading assessment in an inquiry model. Throughout the book, he showcases his colleagues’ attempts to use an inquiry framework, including the various tools and documentation methods that help them inquire into their students’ habits and thoughts as readers, use formative assessment to fuel the gradual release of responsibility framework, and use reading assessment as a means of professional reflection.
Finally, Filkins challenges us to broaden the conversation about assessment to a wider range of stakeholders and offers a vision of assessment as an expression of care for the students in our charge.
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Black Perspectives in Writing Program Administration
From the Margins to the Center
Editors Staci M. Perryman-Clark and Collin Lamont Craig have made a space for WPAs of color to cultivate antiracist responses within an Afrocentric framework and to enact socially responsible approaches to program building.
This collection centers writing program administration (WPA) discourse as intersectional race work. In this historical moment in public discourse when race and racist logics are no longer sanitized in coded language or veiled political rhetoric, contributors provide examples of how WPA scholars can push back against the ways in which larger, cultural rhetorical projects inform our institutional practices, are coded into administrative agendas, and are reflected in programmatic objectives and interpersonal relations. Editors Staci M. Perryman-Clark and Collin Lamont Craig have made a space for WPAs of color to cultivate antiracist responses within an Afrocentric framework and to enact socially responsible approaches to program building. This framework also positions WPAs of color to build relationships with allies and create contexts for students and faculty to imagine rhetorics that speak truth to oppressive and divisive ideologies within and beyond the academy, but especially within writing programs. Contributors share not just experiences of racist microaggressions, but also the successes of black WPAs and WPAs whose work represents a strong commitment to students of color. Together they work to foster stronger alliance building among white allies in the discipline, and, most importantly, to develop concrete, specific models for taking action to confront and resist racist microaggressions. As a whole, this collection works to shift the focus from race more broadly toward perspectives on blackness in writing program administration.
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Bring on the Bard
Active Drama Approaches for Shakespeare’s Diverse Student Readers
A deep dive into the rich resources available for teaching Shakespeare’s plays, Bring on the Bard is for every high school teacher—early career to veteran—looking for new, hands-on activities to draw students of all ability levels into the work and world of Shakespeare.
Shakespeare didn’t write his plays for readers; he wrote individual “cue scripts” for actors who hadn’t read the entire play but had to perform on the fly with almost no rehearsal. Those cue scripts have become the written form of his dramas, compiled originally in the First Folio of 1623. And the actors’ cues for meaning, emotion, and emphasis are still embedded in Shakespeare’s language, ripe for discovery by today’s students.
Shakespeare’s plays rightly remain a staple of the ELA curriculum, but evolving standards and youth culture itself challenge teachers to put students—not a text—at the center of a reading experience in order to support diverse readers and learners.
How can we do this?
Experienced educators Kevin Long and Mary T. Christel introduce us to the Folio technique, which builds on active drama approaches that position students to engage with a rich text through low-risk speaking and improvisation activities. Without requiring students to become actors, the Folio technique helps them to discover the clues the Bard built into his works that allow actors to efficiently understand their characters’ text, context, and subtext. Teachers can use excerpts from the First Folio along with a mass market paperback or digital edition of a play to help students get closer to Shakespeare’s intentions; understand the language, action, and emotions of the characters; and perhaps even explore the challenges the Bard’s modern editors face.
The book offers suggestions for using parallel text, graphic, and abridged editions of Shakespeare’s works, as well as activities using cue scripts and a variety of viewing experiences.
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Building Critical Literacy and Empathy with Graphic Novels
Beginning with the assertion that educators can effectively use comics and graphic novels to develop readers’ critical literacy and empathy, DeHart explores the use of graphic novels across grade levels in a wide range of topics and themes. Taking When Stars Are Scattered by Victoria Jamieson and Omar Mohamed as a recurring focal text, DeHart argues that critical conversations can be opened up through well-chosen graphic novels. The book features recommended titles, insights from graphic novel authors and creators, and lesson ideas. Topics include:
- Anti-Bias and Anti-Bullying
- Autobiographical and Biographical Stories
- Gender Representation
- Diverse Abilities
- Black Joy, Black Lives Matter, and Antiracist Pedagogy
- Stories of (Im)migration and Removal
- Indigenous Peoples/First Nations Stories
- Mental Health and Grief
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Can We Talk?
Encouraging Conversation in High School Classrooms
The proverbial “lost art of conversation” has become more than a cliché. Once young people learned the art of conversation outside of the classroom—in their homes, in organized social groups, and with their peers—but today such human encounters are limited, partly because of the ubiquitous presence of technology. Face-to-face conversation offers a different and vital kind of connection, one that is at the core of our humanity and essential for a democratic society. As teachers, we have a responsibility to help our students find their voices and truly listen to the voices they hear. The strategies and activities described in this book are easily integrated into an already existing curriculum and will allow students to become not only better speakers, but better writers, better thinkers, and better human beings.
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Challenging Traditional Classroom Spaces with Young Adult Literature
Students in Community as Course Co-Designers
As a high school teacher, Ricki Ginsberg realized that a truly student-centered classroom requires student input. To foster a more ethical, community-based approach to curriculum design and instruction, she worked with her students to reimagine and co-design existing, grade-level courses, and in doing so, they integrated young adult literature as central to the curriculum and course design. In this book, Ginsberg, along with more than a dozen teacher contributors, shares course design possibilities for teachers seeking to disrupt and reimagine traditional structures with the inclusion of YA literature.
With communities of practice as a guiding framework, Challenging Traditional Classroom Spaces with YA Literature explores how teachers might work with students to build a community that defines their purposes together, how they might investigate new possibilities for existing or traditional courses by harnessing the potential of YA literature, how they might use critical freedom to co-develop YA electives, and how they can lead literate lives together as a community of practice that is engaged with their local and global communities.
Grounded in NCTE’s Preparing Teachers with Knowledge of Children’s and Young Adult Literature position statement, this book offers both big ideas, such as overarching structural decisions and pedagogical positioning, as well as a wealth of flexible and adaptable practical strategies and ideas that can be implemented directly in secondary classrooms with varied contexts and purposes.
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Classroom Design for Student Agency
Create Spaces to Empower Young Readers and Writers
Classrooms should be spaces where every child feels safe to bring their whole self to school. This book shows how to set up preK–grade 6 classrooms that support student agency, independence, and choice. The results of classrooms designed with these goals in mind include:
- Greater student engagement with curriculum
- Students who know themselves and are empowered as learners
- Students who feel valued and care about their learning as well as the learning of others
- A more cohesive, authentic, and accepting community of learners
- Opportunities for choice and decision-making by all learners
With examples drawn from real classrooms, the authors demonstrate how to make choices in seating, materials used, books read, and more. Special attention is paid to the design of classroom libraries in which a variety of diverse, quality books anchor so much of the work in helping young readers and writers grow and learn.
The book is richly illustrated with photos and samples to provide an inside look at classrooms in which children are centered and the teacher is responsive to creating spaces with student agency in mind.
172 pp. 2023. Grades PreK–6
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Collaborative Learning as Democratic Practice
A History
Collaborative learning is not only a standard part of writing pedagogy, but it is also a part of contemporary culture. Collaborative Learning as Democratic Practice: A History examines the rich historical and political contexts of collaborative learning, starting with John Dewey’s impact on progressive education in the early twentieth century.
In the 1930s, for instance, collaborative practices flourished. In the 1950s, they operated in stealth, within an ideology suspicious of collaboration. Collaborative pedagogies blossomed in the protests of the 1960s and continued into the 1980s with the social turn in composition theory. Twenty-first-century collaborative practices influenced by pragmatism are found in writing centers, feminist pedagogies, and computer-mediated instruction. Mara Holt argues that as composition changes with the influence of ecological and posthuman theories, there is evidence of a significant pragmatist commitment to evaluating theory by its consequences.
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College Composition & Communication
College Composition and Communication publishes research and scholarship in rhetoric and composition studies that supports college teachers in reflecting on and improving their practices in teaching writing and that reflects the most current scholarship and theory in the field. The field of composition studies draws on research and theories from a broad range of humanistic disciplines-English studies, rhetoric, cultural studies, LGBT studies, gender studies, critical theory, education, technology studies, race studies, communication, philosophy of language, anthropology, sociology, and others-and from within composition and rhetoric studies, where a number of subfields have also developed, such as technical communication, computers and composition, writing across the curriculum, research practices, and the history of these fields.
Editor
Malea Powell
Michigan State University
Editorial Assistant
Jill McKay Chrobak
Michigan State University
Contact Us
Email: [email protected]
Permission Requests
[email protected]
Next Editors Selected
NCTE and CCCC welcome Dr. Matthew Davis, of the University of Massachusetts Boston, and Dr. Kara Taczak, of the University of Central Florida, as incoming editors of College Composition and Communication. Kara and Matt were editorial assistants at CCC as graduate students and are thrilled to return to service at the journal after an editorial tenure at Composition Studies. Their first issue will be published in February 2025.
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College English
College English is the professional journal for the college scholar-teacher. CE publishes articles about literature, rhetoric-composition, critical theory, creative writing theory and pedagogy, linguistics, literacy, reading theory, pedagogy, and professional issues related to the teaching of English. Issues may also include review essays.
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Continuing the Journey
Becoming a Better Teacher of Literature and Informational Texts
Aimed at accomplished veteran teachers, Continuing the Journey offers practical advice, encouragement, and cutting-edge ideas for today’s English classroom.
Coauthors Leila Christenbury and Ken Lindblom, well-known teachers, writers, and former editors of English Journal, are joined in this book by almost two dozen classroom teachers and researchers. Together they present real strategies for real classrooms and offer teachers ideas, insights, and support. Focused on literature and informational texts, this lively book (the first in a series) is a road map to professional renewal and to becoming a better teacher. Topics include:
- Changes in you, your classroom, and your school
- What it means to be a better teacher
- Teaching literary texts and literary nonfiction
- And incorporating the study of informational texts and of social media in your classroom
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Continuing the Journey 2
Becoming a Better Teacher of Authentic Writing
Ken Lindblom and Leila Christenbury return with the second volume in the Continuing the Journey series, this time focusing on authentic writing instruction for middle and high school classrooms.
The authors draw on what research has taught them about writing—concepts deeply rooted in personal identity and real-world experience—and why we must teach writing accurately, effectively, and fearlessly. As in the previous volume, the book includes visits to an ideal Teachers’ Lounge, featuring highly experienced colleagues and well-known researchers in English teaching.
Topics covered include:
- Responding to student writing
- Handling the paper load
- Teaching grammar and usage in the context of writing
- Seeking real-world feedback
Although once again focusing on a veteran English teacher audience, Lindblom and Christenbury provide a wealth of information, advice, and resources that will help teachers at any stage of their careers better support their students’ writing both in and out of school.
About Continuing the Journey
Continuing the Journey is a five-book series on advanced approaches to teaching English language arts. Written for veteran teachers by Leila Christenbury and Ken Lindblom, the books include “From the Teachers’ Lounge,” an innovative feature that honors the expertise of both colleagues from the field and highly regarded scholars. Topics addressed in the series include literature and informational texts; language and writing; listening, speaking, and presenting; digital literacies; and living the professional life of a veteran teacher.
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Continuing the Journey 3
Becoming a Better Teacher of Language, Speaking, and Listening
In this third book in the Continuing the Journey series, Ken Lindblom and Leila Christenbury explore teaching English language, speaking, and listening. Aimed at veteran teachers yet accessible to highly capable early career teachers, this book offers practical advice, encouragement, and cutting-edge ideas for today’s English classroom.
Drawing on contemporary and foundational research to infuse classrooms with substance and energy, the authors focus on authentic assignments with real-world value.
Topics in this volume include:
- Understanding and teaching language change and attention to culture
- Fostering audience-responsive communication
- Addressing today’s challenges for in-person and technology-enabled speaking
- Encouraging and assessing respectful talk and multimedia communication
- Managing heated conversations
- Grasping why deep listening may be a lost art, and how we can recover it.
Packed with classroom-ready approaches, provocative ideas, encouraging insights, as well as the authors’ anecdotes and asides, this book will entertain, educate, and inspire teachers who take seriously the importance of language, speaking, and listening in today’s dynamic world.
As an added benefit, teachers and scholars from across the country add their voices and experiences in the ideal Teachers’ Lounge, providing important and diverse perspectives and advice. The Teachers' Lounge contributors:
- Sydney Bryan
- Kelly Byrne Bull
- Tricia Ebarvia
- Christian Z. Goering
- Sharonica Nelson
- Molly S. Potas
- Kia Jane Richmond
- Jana L. Rieck
- Martha Sandven
- Brian Stzabnik
- Peter S. Willis
About Continuing the Journey
Continuing the Journey is a five-book series on advanced approaches to teaching English language arts. Written for veteran teachers by Leila Christenbury and Ken Lindblom, the books include “From the Teachers’ Lounge,” an innovative feature that honors the expertise of both colleagues from the field and highly regarded scholars. Topics addressed in the series include literature and informational texts; language and writing; listening, speaking, and presenting; digital literacies; and living the professional life of a veteran teacher.
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CoreEmpathy
Literacy Instruction with a Greater Purpose
The CoreEmpathy approach and accompanying lessons are designed to cultivate student empathy while simultaneously developing and deepening student literacy skills.
Why should you cultivate empathy in the classroom? Because it not only encourages mutual understanding and caring but also deepens literacy learning. When students walk in the shoes of story characters, the practice extends thoughtfulness to the real people in their lives.
The CoreEmpathy approach, developed by literacy specialist Christie McLean Kesler and children’s author Mary Knight, turns an empathy lens on the reading and writing essential to all K–6 classrooms, optimizing the connection between them. And rather than being one more thing you need to do, CoreEmpathy interweaves with classroom practices already in play, applicable to the stories the authors highlight as well as to student favorites.
Transform your literacy classroom with:
- A simple step-by-step approach to choosing and using already loved books from your current literacy curriculum
- The why, what, and how of teaching literacy through an empathy lens
- Plentiful examples from real-world classrooms, including the voices of teachers and students as they engage with story the CoreEmpathy way
- Practical tips for using the approach with established classroom practices
- Easy-to-use, K-6 integrated reading and writing lessons
- Vast resources for extending your empathy-rich knowledge and practice
- Inspiration for you to live teaching’s greater purpose now
With its heart in the joy that stories bring to readers of all ages, CoreEmpathy reinvigorates teaching and learning, with effects that last long past the elementary years.
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Council Chronicle
NCTE's membership magazine covers issues and trends in the English language arts and tips and resources for your classroom.
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Counterstory
The Rhetoric and Writing of Critical Race Theory
Named one of the 20 Best New Rhetoric Books to Read in 2021 by BookAuthority
Winner of the 2021 Vision Award from the Coalition for Community Writing
Humanities scholar Aja Y. Martinez makes a compelling case for counterstory as methodology in rhetoric and writing studies through the well-established framework of critical race theory (CRT), reviewing first the counterstory work of Richard Delgado, Derrick Bell, and Patricia J. Williams, whom she terms counterstory exemplars. Delgado, Bell, and Williams, foundational critical race theorists working in the respective counterstory genres of narrated dialogue, fantasy/allegory, and autobiography, have set precedent for others who would research and compose with this method.
Arguing that counterstory provides opportunities for marginalized voices to contribute to conversations about dominant ideology, Martinez applies racial and feminist rhetorical criticism to the rich histories and theories established through counterstory genres, all the while demonstrating how CRT theories and methods can inform teaching, research, and writing/publishing of counterstory.
About the CCCC Studies in Writing & Rhetoric (SWR) Series
In this series, the methods of studies vary from the critical to historical to linguistic to ethnographic, and their authors draw on work in various fields that inform composition—including rhetoric, communication, education, discourse analysis, psychology, cultural studies, and literature. Their focuses are similarly diverse—ranging from individual writers and teachers, to classrooms and communities and curricula, to analyses of the social, political, and material contexts of writing and its teaching.
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Critical Rural Pedagogy
Sharon Mitchler argues for a reconfiguration of critical pedagogy to empower and engage American literature students in rural community colleges. She constructs a pedagogy that addresses the multiple positions of power and marginalization rural students occupy, often concurrently.
Drawing on feminist pedagogy, critical pedagogy, and conceptualizations of rural places, she develops a theory of critical rural pedagogy that builds on the work of Kim Donehower, Charlotte Hogg, and Eileen Schell. Critical rural pedagogy actively seeks to engage rural students to bring their lived experiences to the college classes, not only to individual classrooms but to other forms of higher education as community college students transfer on to university settings. The book includes activities and examples to model classroom practice.
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Cross-Talk in Comp Theory
A Reader, 4th edition
Cross-Talk in Comp Theory is a collection of pivotal texts that mark the rebirth of a field, composition studies, beginning with the rise of the process movement. It has been thrice revised to account for shortfalls and changing conversations. The second edition paid increased attention to the significance of gender, the rise in voices of people of color, and the move toward technology. The third edition deepened the conversation on technology and multimodal composing, while keeping most of what had been successful in prior editions of the collection.
In this latest edition, we recognize that discussions of discourse have become commonplace. Meanwhile, issues of social justice—who we teach, how we teach, and who “we” are—have become much more prescient in our composition classrooms, as elsewhere. And, as technology evolves, so too do our discussions of the role of technology and multimodality in our classrooms.
This important text:
- Maintains the historical perspective of previous editions;
- Provides critical insights into the ever-changing discipline of composition studies; and
- Centers composition scholars and instructors on the challenges and opportunities brought about by changes in today’s students and world.
Whether you’re new to teaching composition or a long-time composition instructor, evolving alongside a rapidly changing field requires awareness of where the field has been, where it stands, and where it’s going, to be of sound service to today’s composition students.
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Cultivating Young Multilingual Writers: Nurturing Voices and Stories in and beyond the Classroom Walls
This book is written for K–5 educators who are interested in cultivating young writers by designing and facilitating writing instruction that begins with the resources that students bring to the classrooms from their families, homes, and communities.
This kind of asset-based and individualized instruction is designed to meet the unique writing needs of each young writer. K–5 educators teaching in shifting contexts encounter an array of challenges daily, from restrictive language policies and mandates to heightened accountability measures that often dictate the design of their writing time and instruction.
This book focuses on elementary school teachers working with young writers in varying educational contexts, including dual language, bilingual, and English Only contexts, and in particular students who come from culturally and linguistically diverse settings. Part of the Principles in Practice series.
Part of the Principles in Practice series, this book also includes a robust list of resources for writing teachers, as well as helpful insights for:
- Getting multilingual students writing beyond the classroom walls
- Designing a writing community that works for all your learners
- Using writing conferences as a social practice
- Inviting the use of all linguistic, cultural, and experiential resources
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Deepening Student Engagement with Diverse Picturebooks
Powerful Classroom Practices for Elementary Teachers
Zapata demonstrates how to reinvigorate aesthetic and critical response in early childhood and elementary classrooms through literature explorations of diverse picturebook collections. Drawing on classroom practices, she offers approaches and guiding principles that can be tailored to individual contexts through an anti-oppressive lens. Her approach is informed by the ethical work of integrating diverse children’s picturebooks in the classroom, a desire to cultivate a critical literature classroom landscape that resists stereotypical representations of people of color in literature, and a commitment to recentering critical engagement of diverse picturebooks. Part of the Principles in Practice imprint, the book draws on NCTE’s position statement Preparing Teachers with Knowledge of Children’s and Young Adult Literature.
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Discussion Pathways to Literacy Learning
Discussion Pathways to Literacy Learning examines the function of classroom discussion as an essential element in inquiry and literacy learning.
McCann, Kahn, and Walter provide examples of classroom discussion activities that have been part of an ongoing partnership between university professors and high school English teachers. The book draws on their research into the effect of discussion on literacy learning and offers examples of activities and guidelines for activities that teachers can use in their own practice. Beyond demonstrating the strong impact that authentic discussions have on learning, the authors show how participation in discussions can be pleasurable and meaningful experiences for adolescents, especially when then can choose the focus for their shared inquiry.
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Dynamic Activities for First-Year Composition
This collection of activities for the composition classroom includes dozens of practical, useful, successful, and accessible exercises that have been developed and implemented by writing instructors from all over the country. Editors Michal Reznizki and David T. Coad have assembled a collection of tried-and-proven teaching activities to help both novice and experienced teachers plan, prepare, and implement writing instruction in college. As two educators who have been teaching writing in the field for more than a decade, they have created the resource they wished they had.
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Empowering Students' Knowledge of Vocabulary
Learning How Language Works, Grades 3-5
This fun and practical book gives teachers of grades 3–5 teachers both the research and the day-to-day practical activities to expand and empower their students’ vocabulary.
Upper elementary students will develop a deeper understanding of how the English language works, enrich their vocabularies, and improve their reading and writing skills through the information and lessons provided by veteran educators Mary Jo Fresch and David L. Harrison.
Each chapter presents definitions and playful examples (in poetry and prose) to teach:
- Antonyms, synonyms, acronyms, (and many more “nyms”)
- Similes and metaphors
- Common idioms
- Shades of meaning and word origins
Practical lessons and activities for each category will engage students in joyful practice. A final chapter offers insights into language choices by eight well-known children’s poets and authors, including two former US Young People’s Poets Laureate—Kenn Nesbitt and Margarita Engle—and world-renowned Jane Yolen.
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Engaging American Novels
Lessons from the Classroom
This collection, edited by Joseph O. Milner and Carol A. Pope, focuses on ten frequently taught American novels, both classic and contemporary, that can help promote student engagement.
In today’s world, in which reading is sometimes considered passé and visual literacy rules, urging students to read novels can be a truly demanding task. But the ability to help students find novels engaging is a mark of an exceptional teacher. This collection focuses on ten frequently taught American novels, both classic and contemporary, that can help promote such engagement: Of Mice and Men; Out of the Dust; The Great Gatsby; Adventures of Huckleberry Finn; To Kill a Mockingbird; The Bluest Eye; The Outsiders; The Chocolate War; Their Eyes Were Watching God; and Bless Me, Ultima. This collection opens with large ideas about reading texts, written by highly respected leaders in our field: Sheridan Blau, Carol Jago, Jeffrey D. Wilhelm, Robert E. Probst, and John Noell Moore. Their brief but bold arguments challenge teachers to think about how students best engage with texts, especially novels. The following chapters provide specific lessons, written by classroom teachers who have successfully taught these novels. Each lesson is an effective model for classroom use that you can adopt and adapt to meet your and your students’ needs.
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Engaging Grammar
Practical Advice for Real Classrooms, 2nd ed.
Teacher, researcher, and consultant Amy Benjamin challenges the idea of “skill and drill” grammar in the second edition of this lively, engaging, and immensely practical guide.
Does grammar instruction have to elicit moans and groans from students and teachers alike? Only when it’s taught the old-fashioned way: as a series of rules to follow and errors to “fix” that have little or no connection to practical application or real-world writing.
Benjamin’s enlightened view of grammar is grounded in linguistics and teaches us how to make informed decisions about teaching grammar—how to move beyond fixing surface errors to teaching how grammar can be used as the building blocks of sentences to create meaning. By using sentence patterns, mapping, visuals, and manipulatives, Benjamin presents an approach to grammar instruction that is suitable for a variety of student populations.
Although she doesn’t advocate for teaching to the test, Benjamin acknowledges the pressures students face when taking high-stakes tests such as the SAT and ACT. Included is a chapter on how to improve students’ editing skills to help prepare them for the short-answer portion of these tests.
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English Education
English Education is the journal of English Language Arts Teacher Educators (ELATE), formerly the Conference on English Education (CEE), a constituent organization of the National Council of Teachers of English (NCTE). The journal serves teachers who are engaged in the preparation, support, and continuing education of teachers of English language arts/literacy at all levels of instruction. (Published October, January, April, and July.)
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English Journal
English Journal is NCTE's award-winning journal of ideas for English language arts teachers in junior and senior high schools and middle schools. It presents information on the teaching of writing and reading, literature, and language, and includes information on how teachers are applying practices, research, and multimodal literacies in their classrooms.
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English Leadership Quarterly
English Leadership Quarterly, a publication of the Conference on English Leadership (CEL), helps department chairs, K-12 supervisors, and other leaders in their role of improving the quality of literacy instruction. ELQ offers short articles on a variety of issues important to decision-makers in English language arts.
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English Studies Reimagined
A New Context for Linguistics, Rhetoric and Composition, Creative Writing, Literature, Cultural Studies, and English Education
In this sequel to English Studies: An Introduction to the Discipline(s), editor Bruce McComiskey and contributors from a range of disciplines propose seven principles to reimagine English studies for increased relevance in an increasingly diverse and globalized world.
While social values outside of academia are changing from nationalism to globalization, much of English studies remains entrenched in nationalist discourses.
From literature and theory to linguistics, writing, and rhetoric, English Studies Reimagined argues that English studies must shift from a limited national orientation to a more global and cosmopolitan one in order to remain culturally and academically relevant to students today.
McComiskey introduces seven principles to reimagine English Studies for increased relevance:
- Conceive the discipline as a process
- Seek difference
- Expand what counts as literature
- Promote adaptive practices
- Value technology
- Embrace collaboration
- Take a public turn
Each chapter explores a different discipline within English studies from the perspective of difference: linguistics by Jacquelyn Rahman, rhetoric and composition by Victor Villanueva, creative writing by Sarah Sandman, literature and literary criticism by Richard C. Taylor, critical theory and cultural studies by Jeffrey J. Williams, and English education by Tonya B. Perry. All play vital and distinct but interrelated roles in this proposed shift toward a globally oriented English studies.
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FORUM: Issues about Part-Time and Contingent Faculty
FORUM: Issues about Part-Time and Contingent Faculty is a peer-reviewed publication concerning working conditions, professional life, activism, and perspectives of non-tenure-track faculty in college composition and communication.
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Going Public with Assessment
A Community Practice Approach
The authors share classroom vignettes, strategies, and resources for “going public” with literacy assessment through teacher collaboration with colleagues, with families, and with the community.
Teachers want assessment tools and strategies that inform instruction, engage students in the process, and invite families and community members to enter into the conversation about student learning and progress. When teachers work collaboratively with one another, they align beliefs and practices to generate new ideas that reflect the questions they are asking about literacy and learning. When students, families, and the community are invited to be active, engaged participants in these discussions, all stakeholders have an opportunity to create a shared vision for literacy learning and to construct assessment tools and strategies that help everyone answer the important questions: “How as teachers are we engaging with one another over our literacy assessment beliefs and practices?” and “How can we better bring families and communities into these conversations?”
In this volume of the Principles in Practice Literacy Assessment strand of books, veteran educators Kathryn Mitchell Pierce and Rosario Ordoñez-Jasis share classroom vignettes, strategies, and resources for “going public” with literacy assessment through teacher collaboration with colleagues, with families, and with the community. Drawing from the IRA–NCTE Standards for the Assessment of Reading and Writing, Revised Edition, and their own extensive experience, the authors have compiled a set of collaborative assessment principles, as well as a model for teacher professional development around assessment, to guide teachers from assessment theory to practical implementation in the classroom.
Teachers are at the heart of assessment conversations because they have up-close and personal experiences with how assessments impact their students. These experiences provide an invaluable perspective that is essential to all decision making about assessing student learning. But teachers don’t—or shouldn’t—stand alone. Their critical expertise is strengthened by the experiences and expertise of others invested in the success of our students—colleagues, families, communities, and students themselves.
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Growing Writers
Principles for High School Writers and Their Teachers
In Growing Writers, veteran teacher educator Anne Elrod Whitney explores how the principles defined in NCTE’s Professional Knowledge for the Teaching of Writing position statement can support high school writers and teachers of writing through knowledge and a conscious search for meaning in our writing activities.
When principles guide our teaching, we can better understand our teaching purposes, make decisions about approaches and content, vet ideas supplied by others, and grow as teachers of writing. As part of the Writing in Today’s Classrooms strand of the Principles in Practice imprint, the book includes snapshots from high school teachers working in a variety of settings who illustrate how their own principled classroom practices have helped both them and their students to grow, whether they are writing for advocacy, learning the importance of revision, experimenting with new audiences, or embracing the vulnerability and the power of writing.
The principles come alive through the author’s analysis and friendly discussion and the contributing teachers’ everyday practices. Whitney’s compassionate support and encouragement of active, ongoing learning is supplemented by further-reading lists and an annotated bibliography of both print and digital texts to accompany us on our journeys to ever-greater effectiveness as writers and teachers of writing.
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The Hands of God at Work
Islamic Gender Justice through Translingual Praxis
Drawing from ethnographic data collected in Indonesia from 2009 to 2022, this book explores how an English-medium Indonesian PhD program in interreligious studies and three Muslim scholar-activists activate knowledge where languages intersect, a process mediated by material circumstances within Indonesia and voices past, present, and future that both are audience to and transcend the traditional geographic and discursive borders associated with them.
As they negotiate translingually to make meaning at the borderlands where seemingly discrete discourses intersect, they challenge false divides between rationality and spirituality; between the mind and body; between female agency and Islam; and between English and non-Western meaning-making. By exploring how these scholar-activists engage in translingual praxis to move knowledge from the discursive plane to the material plane and back again to effect social justice across multiple and intersecting languages, audiences, and contexts, this book opens up new ways of understanding translingual negotiation where feminist scholarly activism and Islamic belief intersect. CCCC Studies in Writing & Rhetoric
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Immigrant Scholars in Rhetoric, Composition, and Communication
Memoirs of a First Generation
Editors Letizia Guglielmo and Sergio C. Figueiredo and their contributors share the experiences of first-generation immigrant scholars in rhetoric, composition, and communication and how those experiences shape individual academic identity and, in turn, the teaching of writing and rhetoric.
With stories of migrants, refugees, and immigrants constantly in the news, this collection of personal narratives from first-generation immigrant scholars in rhetoric, composition, and communication is a welcome antidote to the polemics about who deserves to live in the United States and why. As literacy scholar Kate Vieira states in the foreword, this book “tells better, more fully human, more intellectually rigorous stories.” Sharing their experiences and how those experiences shape both individual academic identity and the teaching of writing and rhetoric, Letizia Guglielmo and Sergio C. Figueiredo and their contributors use the personal as a starting point for advancing collective and institutional change through active theories of social justice. In addition to exploring how literacy is always complex, situational, and influenced by multiple and diverse identities, individual essays narrate the ways in which teacher-scholars negotiate multiple identities and liminal spaces while often navigating insider-outsider status as students, teachers, and professionals. As they extend current and ongoing conversations within the field, contributors consider how these experiences shape their individual literacies and understanding of literacy; how their literacy experiences lie at the intersections of gender, race, class, and public policy; and how these experiences often provide the motivation to pursue an academic career in rhetoric, composition, and communication.
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In the Pursuit of Justice
Students’ Rights to Read and Write in Elementary School
Even from the earliest grades, children have the rights to read and write—not just in dominant American English, but also in their own languages and dialects.
Young children make meaning and make sense from the earliest years. They read facial expressions, engage in interactions, and read symbols across a variety of named languages. Historically narrow definitions of reading and writing, however, often prevent children of color and immigrants from having access to texts that reflect their diverse cultures and backgrounds. Classroom materials also often don't reflect the growing majority of multilingual children of color, compromising their right to access texts that reflect their cultural values, language practices, and historical legacies.
Promoting equitable, inclusive, and plural understandings of literacy, Mariana Souto-Manning and eight New York City public school teachers explore how elementary teachers can welcome into their classrooms the voices, values, language practices, stories, and experiences of their students who have been minoritized by dominant curricula, cultivating reading and writing experiences that showcase children's varied skills and rich practices.
Readers are invited to enter classrooms where teachers have engaged with the principles detailed in two NCTE position statements--NCTE Beliefs about the Students' Right to Write and The Students' Right to Read--in the pursuit of justice. Collectively, their experiences show that when teachers view the communities their students come from as assets to and in school, children not only thrive academically, but they also gain confidence in themselves as learners and develop a critical consciousness. Together, stepping into their power, they seek to right historical and contemporary wrongs as they commit to changing the world.
About Principles in Practice
Books in the Principles in Practice imprint offer teachers concrete illustrations of effective classroom practices based in NCTE research briefs and policy statements.Each book discusses the research on a specific topic, links the research to an NCTE brief or policy statement, and then demonstrates how those principles come alive in practice: by showcasing actual classroom practices that demonstrate the policies in action; by talking about research in practical, teacher-friendly language; and by offering teachers possibilities for rethinking their own practices in light of the ideas presented in the books.
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The Incarceration of Japanese Americans in the 1940s
Literature for the High School Classroom
In the latest volume in the NCTE High School Literature Series, Rachel Endo offers new ways to talk and teach about the incarceration of Japanese Americans in the United States during World War II.
Incarceration of Japanese Americans in the 1940s uses the selected works of three critically acclaimed Japanese American authors: Jeanne Wakatsuki Houston’s memoir Farewell to Manzanar, along with its film version; a sampling of Lawson Fusao Inada’s poetry; and a selection of Hisaye Yamamoto’s short stories. All three authors were children or young adults during World War II, and their texts powerfully speak to how being racially profiled, forcibly removed from their homes, and then detained in racially segregated concentration camps for nearly three years forever changed their lives.
This volume features author biographies, guiding questions, resources for teachers, and student-centered activities that incorporate digital literacy. Assignments and discussion questions that appeal to multiple learning styles are included. With several student work samples as models, each chapter includes practical ideas for the classroom, including connecting common themes in Japanese American literature about World War II to contemporary social issues such as civil rights, identity, immigration reform, and race relations.
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Increase Reading Volume: Practical Strategies That Boost Students’ Achievement and Passion for Reading
By fourth or fifth grade, many striving readers have lost their self-confidence and the belief that, with hard work, they can reach a goal. Whether these students were on a computer reading program, in a grade-level basal program, or listening to a required novel, they weren’t reading. Research by Allington, Krashen, Howard, Miller, and Ripp points to the need for students to read wonderful books to develop reading skill and expertise. Voluminous reading is an intervention.
This book will suggest ways to organize instruction so students in ELA classes and across the curriculum read voluminously every day. It will explain that there is no program that is the magic bullet for creating schools full of readers. The magic bullet is having skilled teachers who are ongoing learners and class libraries in all subjects, book rooms for storing instructional genre units, and alternate texts on topics studied in content subjects.
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Just Theory
An Alternative History of the Western Tradition
In Just Theory, David Downing offers an alternative history of critical theory in the context of the birth and transformation of the Western philosophical tradition.
Rather than providing a summary survey, it situates the production of theoretical texts within the geopolitical economy of just two pivotal cultural turns: Cultural Turn 1 (roughly 450–350 BCE) looks at the Platonic revolution, during which a new philosophic, universalist, and literate discourse emerged from what had long been an oral culture; Cultural Turn 2 (roughly 1770–1870) investigates the Romantic revolution and its nineteenth-century aftermath up to the Paris Commune.
While focusing on the quest for social justice, Downing situates the two cultural turns within deep time: Cultural Turn 1 gave birth to the Western philosophical tradition during the Holocene; Cultural Turn 2 witnessed the beginnings of the shift to the Anthropocene when the Industrial Revolution and the fossil fuel age began to alter our complex biospheres and geospheres. As described in the epilogue, the aftereffects of Western metaphysics have dramatically shaped our twenty-first-century world, especially for teachers and scholars in English and the humanities.
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Language Arts
Language Arts provides a forum for discussions on all aspects of language arts learning and teaching, primarily as they relate to children in pre-kindergarten through the eighth grade. Issues discuss both theory and classroom practice, highlight current research, and review children's and young adolescent literature, as well as classroom and professional materials of interest to language arts educators.
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Letting Go
How to Give Your Students Control over Their Learning in the English Classroom
Based in the Inquiry Learning Plan (ILP), a flexible tool that allows students to engineer their own goals and create an authentic final assessment, this practical approach provides a clear, customizable experience for teachers looking to shift ownership of learning to the student, whether wholly or in part.
The transition from rote lessons, traditional pedagogy, and standardized tests begins with the belief that students need to learn how to learn—and learn to love learning. Great idea—but how do teachers actually implement a curriculum that gives students room to do this? Letting Go: How to Give Your Students Control over Their Learning in the English Classroom explores an inquiry approach in which students differentiate their own learning with the space to choose texts, develop questions, and practice skills that are unique to their individual needs.
The authors—two classroom teachers and a school librarian—discuss strategies to scaffold the inquiry process while addressing the common pitfalls students encounter. Student examples of activities, reflections, and final products provide concrete models of how to use the strategies separately and how they relate. The authors break down the inquiry process and provide support for gradual release of responsibility and power to students. In doing so, they show that letting go is rewarding for both teachers and students because students realize what they are capable of and learn what they love. Student work showcases the impact these inquiry strategies have on students’ understanding of themselves, their skill development, and their content acquisition. A companion website features complete ILPs for a more holistic view of the process, as well as reproducible materials.
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The Lifespan Development of Writing
The Lifespan Development of Writing presents the results of a four-year project to synthesize the research on writing development at different ages from multiple, cross-disciplinary perspectives, including psychological, linguistic, sociocultural, and curricular.
Although writing begins early in life and can develop well into adulthood, we know too little about how writing develops before, during, and after schooling, as well as too little about how an individual’s writing experiences relate to one another developmentally across the lifespan. There is currently no adequate accepted theory of writing development that can inform the design of school curricula and motivate appropriate assessment practices across the years of formal education.
The Lifespan Development of Writing is a first step toward understanding how people develop as writers over their lifetimes and presents the results of a four-year project to synthesize the research on writing development. First collectively offering the joint statement “Toward an Understanding of Writing Development across the Lifespan,” the authors then focus individually on specific periods of writing development, including early childhood, adolescence, and working adulthood, looked at from different angles.
They conclude with a summative understanding of trajectories of writing development and implications for further research, teaching, and policy, including the assertion that writing research “can raise our curricular vision beyond the easily measurable to recognize that writing development is far more than the accretion of easy testable skills, and that successful writing development cannot be defined as movement toward a standard.”
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Lightning Paths
75 Poetry Writing Exercises
From synesthetic poems to questioning poems to the ghazal, Lightning Paths: 75 Poetry Writing Exercises has something fun or fascinating for every student and teacher as they explore the possibilities of poetry writing.
The exercises teach and utilize technique while also focusing on and inspiring the intuitive and imaginative qualities of poetry. Each poem type includes an introduction explaining the exercise’s goal, detailed instructions, and a student example. The 75 activities are divided into three sections:
- Exercises that focus on different types of imagery and ways to generate fresh imagery
- Exercises born out of unusual prompts and ideas that engage a writer’s experiences in the real world
- Exercises related to what form might look like or how it might function
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Literacies Before Technologies
This practical book brings together coauthors Troy Hicks and Jill Runstrom with the voices of ten additional middle level educators (Grades 4–9) to explore applications of NCTE’s Beliefs for Integrating Technology into the English Language Arts Classroom position statement in middle grades classrooms.
Including chapters and vignettes that explore lessons and technologies for close and critical reading for literary analysis, writing to argue and inform, and considerations for remote and hybrid learning, the book follows a year in the life of Runstrom’s ninth-grade English classroom. With specific lesson ideas and examples of student work, the book brings the entire Beliefs statement to life while also foregrounding the primary goal that we should consider “literacies before technologies,” creating rich opportunities for reading and writing, enhanced with digital tools. An annotated bibliography is also included.
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Living English, Moving Literacies
Women's Stories of Learning between the US and Nepal
This book demonstrates how researchers and practitioners in writing and rhetoric studies can engage in story work across differences in culture, language, locations, and experience. Based on an ethnographic study in Nepal spanning a decade, Author Katie Silvester speaks with and to the stories of Bhutanese women in diaspora learning English later in life during resettlement and in the context of waves of social change brought on by the end of their asylum. In the process, she demonstrates how researchers and practitioners in writing and rhetoric studies might:
- Engage in literacy work across differences in culture, language, location, and experience;
- Reconfigure and reformulate with others how we come to understand the literacy, hope, and violence in specific migrations; and
- Use the stories that students bring with them to the classroom about their backgrounds to promote literacy learning.
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Making Middle School
Cultivating Critical Literacy and Interdisciplinary Learning in Maker Spaces
Making Middle School is the story of eighth-grade English teacher Steve Fulton and science teacher Tiffany Green’s explorations of the intersections between critical literacy and science through maker spaces alongside their students.
Steve and Tiffany, with thinking partner Cindy Urbanski, use the idea of make to center student learning in their classrooms as well as to democratize learning, back-loading English and science standards while front-loading the current focus on STEAM.
Making—following one’s own desire to create—is based on principles of connected learning, where students work in community to challenge themselves, to be creative, and to wonder about their world. Making represents a pathway directed by the learner and allowed to unfold organically, without a scripted route or destination. By looking up close at the real work of teachers and students, Fulton and Urbanski illustrate the rich and real applications of a make-based approach in today’s middle school classrooms.
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