Teaching English in the Two-Year College - Volume 41, Issue 3, 2014
Volume 41, Issue 3, 2014
- Articles
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Feature: Student Perspectives on Self-Assessment: Insights and Implications
More LessAuthor(s): Rachel IharaThis article explores students’ responses to a formal self-assessment assignment, situating their views within the context of the texts they produced, identifying connections to scholarship on self reflection, and proposing a rethinking of pedagogical practices around reflective writing.
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Feature: Writing beyond the Page: Reflective Essay as Box Composition
More LessAuthor(s): Lindsey HardingThis article presents a digital, multimodal reflective essay assignment based on Geoffrey Sirc’s “box logic” that asks students to fill a series of boxes with images, found text, and their own commentary as they critically and creatively engage with their writing experiences through media artifacts, digital technology, and design decisions.
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Cross Talk
More LessA Response to Lindsey Harding’s “Writing beyond the Page: Reflective Essay as Box Composition”
Rachel Ihara
A Response to Rachel Ihara’s “Student Perspectives on Self-Assessment: Insights and Implications”
Lindsey Harding
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Feature: “Where’s the Writer?” Examining the Writer’s Role as Solicitor of Feedback in Composition Textbooks
More LessAuthor(s): Lynne Stallings and Dawn M. FormoIn an effort to better understand how to help students engage more fully with the feedback process, this article examines the role of the writer as solicitor of feedback in composition textbooks, noting that textbooks don’t appear to offer sufficient tools to move students from “Do we have to?” to “Can we, please?” in peer review, and includes pedagogical suggestions that will encourage students to become engaged writers who are able, and willing, to solicit feedback and participate in peer review.
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Feature: “Space to Grow”: Grading Contracts for Basic Writers
More LessAuthor(s): Alan Blackstock and Virginia Norris ExtonThe article provides suggestions for using a grading contract/portfolio approach to assessing writing for introductory composition classes comprised of basic writers.
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Instructional Note: Representing Revision: Alternative Uses for Course Texts
More LessAuthor(s): Caroline WilkinsonStudents revise a course assignment prompt in a dual-credit class to develop their conceptions of the meaning of revision.
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Inquiry: Starting with a Question
More LessAuthor(s): Holly HasselHassel invites readers to think about how to frame a research question that will lead to a fruitful investigation.
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Reviews
More LessReviewed are:
RAW (Reading and Writing) New Media, edited by Cheryl E. Ball and James Kalmbach; reviewed by Suanna H. Davis
Listening to Our Elders: Working and Writing for Change, edited by Samantha Blackmon, Cristina Kirklighter, and Steve Parks; reviewed by Patricia Wilde
How Children Succeed: Grit, Curiosity, and the Hidden Power of Character, by Paul Tough; reviewed by Jeffrey Klausman
Redesigning Composition for Multilingual Realities, by Jay Jordan; reviewed by Michelle LaFrance
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Volumes & issues
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Volume 52 (2024 - 2025)
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Volume 51 (2023 - 2024)
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Volume 50 (2022 - 2023)
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Volume 49 (2021 - 2022)
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Volume 48 (2020 - 2021)
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Volume 47 (2019 - 2020)
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Volume 46 (2018 - 2019)
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Volume 45 (2017 - 2018)
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Volume 44 (2016 - 2017)
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Volume 43 (2015 - 2016)
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Volume 42 (2014 - 2015)
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Volume 41 (2013 - 2014)
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Volume 40 (2012 - 2013)
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Volume 39 (2011 - 2012)
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Volume 38 (2010 - 2011)
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Volume 37 (2009 - 2010)
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Volume 36 (2008 - 2009)
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Volume 35 (2007 - 2008)
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Volume 34 (2006 - 2007)
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Volume 33 (2005 - 2006)
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Volume 32 (1996 - 2005)
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Volume 31 (2003 - 2004)
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Volume 30 (2002 - 2003)
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Volume 29 (2001 - 2002)
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Volume 28 (2000 - 2001)
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Volume 27 (1999 - 2000)
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Volume 26 (1998 - 1999)
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Volume 25 (1998)
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Volume 24 (1997)
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Volume 23 (1996)
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