Teaching English in the Two-Year College - Volume 25, Issue 1, 1998

Argues that zines (short for "fanzines": small, cheaply produced sheets on a wide range of topics) interest many college students and offer composition classes a number of opportunities. Discusses obtaining zines, using them in the composition classroom, how students respond to zines, producing zines, and how it all comes together.

Discusses several ways in which tape-recorded responses by the instructor to student writing can benefit commuter students. Discusses how the audio cassette responses are paired with a series of questions on the writing process and how the author shapes his tape-recorded comments. Notes student responses about the advantages of this approach.

Makes a case for using advertising as the common subject matter in a composition course, and for analyzing advertisements as a means of teaching argumentation. Discusses seeking a social-epistemic curriculum in the heterogeneous writing class. Shows why the close analysis of print advertisements provides an ideal opportunity to discuss questions of what constitutes a good claim.

Argues that connecting classroom practice to writing center tutorials prepares students to generate dialogic and democratic tutorials. Describes a liberatory writing center (rather than a skill-and-drill site of remediation). Describes classroom practices that help students develop critical approaches to the power arrangements they encounter both inside and outside the academy. Notes implications for two-year colleges.

Describes the experience of a college teacher teaching, for the first time, an introduction to literature course with a whole-language approach. Describes how she abandoned her position as imparter-of-knowledge and as authority, and joined the students as one of many readers and writers. Discusses how class activities were structured and notes students’ enthusiasm.

Discusses Margaret Atwood’s "provocative and funny" short story "Rape Fantasies," and describes how, when teaching this story the author encourages students to sympathize with Estelle (the narrator) before they judge her (instead of rushing to achieve closure and begin interpretation).

Argues that a process-oriented nonjudgmental instructional approach can help English-as-a-Second-Language community college students become better writers. Discusses the principle of nonjudgmental awareness and its rationale, and describes five pedagogical techniques used in a nonjudgmental writing class.

Describes an English-as-a-Second-Language class writing and discussion project in which students retold and explained their favorite folk stories, eventually publishing them in a booklet.

Available in print only.

Available in print issue only.

Reviews two books: Ourselves as Students, comp. and ed. by The Broad Minds Collective; Cross-Talk in Comp Theory: A Reader, ed. by Victor Villanueva, Jr.