College English - Volume 63, Issue 1, 2000

Addresses the evolution of the most authoritative and widely used textbook in world literature courses in the United States, “The Norton Anthology of World Masterpieces.” Questions if the “Norton Anthology” has provided educators who are committed to the teaching of world literature from non-Eurocentric perspectives with a useful tool, or if the anthology reproduces the canon’s ideological underpinnings.

Explores the possibility of seeing in Toni Morrison’s novel, “Song of Solomon,” the co-existence of two narratives of subjectivity. Examines the extent to which the application of a Western and non-Western narrative of subject formation yields conflicting interpretations of the novel and, in particular, the novel’s ending.

Considers the possibility that engaging a text need not proceed through a preexisting program and, further, that another style of engagement may indicate intriguing possibilities for resistance. Demonstrates a type of criticism called “productive reading.” Concludes that it is not sufficient to assume that reading must proceed through a primary emphasis on accuracy and representation.