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- Volume 59, Issue 3, 1997
College English - Volume 59, Issue 3, 1997
Volume 59, Issue 3, 1997
- Articles
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Donne’s “The Token”: A Lesson in the Fashion(ing) of Canon
Author(s): James S. BaumlinArgues for the canonicity of “Sonnet: The Token,” a John Donne poem whose authorship has been in doubt for some decades. Employs deconstruction as its critical approach, though that approach is nearly passe in Renaissance studies, and it calls the issue of authorship into question.
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Marginally Off-Center: Postcolonialism in the Teaching Machine
Author(s): Deepika BahriLocates postcolonial pedagogy within the context of institutional circuits of production and consumption, finding that instead of expanding the student’s experience with difference and diversity, it contains them through a managed encounter with otherness.
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Students’ Goals, Gatekeeping, and Some Questions of Ethics
Author(s): Jeff SmithExamines assumptions underlying the ubiquitous distaste for gatekeeping evident in composition studies scholarship: namely, that the matter of gatekeeping can be settled by writing teachers themselves; and that students themselves need not be consulted about gatekeeping.
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Volume 87 (2024)
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Volume 64 (2001 - 2002)
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Volume 63 (2000 - 2001)
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Volume 62 (1999 - 2000)
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Volume 61 (1998 - 1999)
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Volume 60 (1998)
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Volume 59 (1997)
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Volume 58 (1996)
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Volume 57 (1995)
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Volume 56 (1994)
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Volume 55 (1993)
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Volume 54 (1992)
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Volume 53 (1991)
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Volume 52 (1990)
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Volume 51 (1989)
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Volume 50 (1988)
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Volume 49 (1987)
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Volume 48 (1986)
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Volume 47 (1985)
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Volume 46 (1984)
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Volume 45 (1983)
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Volume 44 (1982)
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Volume 43 (1981)
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Volume 42 (1980)
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Volume 41 (1979 - 1980)
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Volume 40 (1978 - 1979)
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Volume 39 (1977 - 1978)
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Volume 38 (1976 - 1977)
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Volume 37 (1975 - 1976)
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Volume 29 (1967 - 1976)
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Volume 36 (1974 - 1975)
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Volume 35 (1973 - 1974)
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Volume 34 (1972 - 1973)
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Volume 33 (1971 - 1972)
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Volume 32 (1970 - 1971)
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Volume 31 (1969 - 1970)
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Volume 30 (1968 - 1969)
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Volume 28 (1966 - 1967)
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Volume 27 (1965 - 1966)
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Volume 26 (1964 - 1965)
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Volume 25 (1963 - 1964)
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Volume 24 (1962 - 1963)
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Volume 23 (1962)
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