College Composition & Communication - Volume 50, Issue 1, 1998

What composition studies can take from critical race theory is an awareness that if we are to understand the mechanisms (like racism) that prevent some students from being heard, we need to recognize that our rhetoric is one which continually inscribes our students as foreigners. (Prendergast 51).

If proper placement is a matter of guiding students into the course that is best suited to their educational background and current writing ability, directed self-placement may be the most valid procedure we can use. (Royer and Gilles 69-70).

In short, we explore here the general question of why we might want to turn the people we study into audiences for our work, and then the more particular questions of how we might do so usefully and without adopting the colonial, self-righteous attitude evoked by our title. (Segal, et. al 73).

We have here four books, a sort of mini-groundswell, dealing in different ways with “affective issues” in composition, to use McLeod’s relatively focused term, or with “the domain beyond the cognitive,” to use the more expansive phrasing of Brand and Graves. (Fulkerson 101).

History is about storytelling. And like any good narrative invested in recounting tales of forebearers, its aim is not only to create an image of the past but a way of understanding what we see… It allows us to place ourselves as participants in an historical tradition, parts of which we wish to claim and others which we would prefer to distance ourselves from. (Welsch 116).