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2018
Volume 77, Issue 2
  • ISSN: 0010-0994
  • E-ISSN: 2161-8178

Abstract

Benson examines three books—, , and —that contribute powerfully to the scholarly conversation about the changing face of composition by illustrating how the narrative of newness associated with multimodal and experimental work hides a long saga of negotiation between the traditional and the new in the field of composition.

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/content/journals/10.58680/ce201426148
2014-11-01
2025-05-15
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  • Article Type: Research Article
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