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2018
Volume 74, Issue 3
  • ISSN: 0010-0994
  • E-ISSN: 2161-8178

Abstract

The contemporary university’s reliance on coursepacks, whether they take print or digital form, is illuminated by Bruno Latour’s theories and by consideration of a nineteenth-century copyright case involving noted textbook author William McGuffey. In particular, these contexts remind us that coursepacks are situated within shifting constellations of material things.

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/content/journals/10.58680/ce201218410
2012-01-01
2026-07-12
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  • Article Type: Research Article
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