Migration, Material Culture, and Identity in William Attaway’s Blood on the Forge and Harriette Arnow’s The Dollmaker

Discusses how both novels share key thematic elements pertaining to the experiences of migrants from rural Appalachia to multiethnic industrial centers of the urban north. Notes that a focus on the authors' handling of material culture helps to point one with increased clarity and precision to the writerly method by which Attaway and Arnow convey particular themes effectively.