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2018
Volume 62, Issue 1
  • ISSN: 0010-0994
  • E-ISSN: 2161-8178

Abstract

Offers a reading of “The Music Man” that traces the ways its charm and humor are undergirded by a parodic stance toward American values as rooted in turn-of-the-century discourses of literacy, education, morality, and in the simultaneously burgeoning national obsessing with buying and selling. Considers sexual and textual anxieties in the Progressive Era, “the repressed/repressive librarian,” and consumerist rhetoric.

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/content/journals/10.58680/ce19991160
1999-09-01
2025-04-18
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  • Article Type: Research Article
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